Abstract

The purpose of this research report is to examine the conversion relationship between narrative jewellery and poetry in order to create a cohesive message or body of work which challenge or address specific subject matters within the Xhosa marriage traditions and customs.  I have therefore undertaken a brief observation of the Xhosa umakoti/bride/wife roles, the expectations and practices by people who are directly involved in the results of these practices. 

This study is of significance as it will be exploring and creating a collection of contemporary interdisciplinary jewellery which will not be solely directed by the “happily ever after” theme nor the “the best day of your life”, as it will be looking into the bridal reality which has been and is still swept under the carpet. This report and the design part of the study will be directed and based on the realities of umakoti which have led many to fall into depression and have left many viewing marriage as a prison rather than a union. (Mathaba, 2005)

Although studies have been conducted on ukuthwala/ bridal abduction, child kidnapping and abuse incurred by wives within marriage, there is however still relevance for this report  as it will be addressing these issues through the mediums of jewellery and poetry as a single voice. Furthermore this study will be narrowing its investigations and study to be limited to the Xhosa as it is one of the most dominate Nguni subgroups within the South African borders which are affected by these problems. (Goodacre, 2007; Alijazeera)

Chapter One of the Report will be proving brief definitions of all the relevant terms and concepts which will be the keywords that will inform the creation of the collection of jewellery. While Chapter two will be introducing some of the artists and designers who have already contributed to narratives within their respective fields. These will be a sort of literature anchor for my work, as I will be looking at how they have engaged with narratives in respect to their chosen mediums. Then ultimately Chapter Three, will be a visual and oral presentation of my own work and a documented version of how I have dealt with my narratives.